This was previously published in Watch The Skies fanzine – November 2020
As we wrap up our final fanzine of 2020 I wanted to move away from some of the things I have been recommending lately that definitely skew younger and generally more positive. Saying you ‘should’ be watching this one will be considered a stretch by more than a few folks.
The Titan is a cerebral science fiction film that appeared under the radar back in 2018. Starring Sam Worthington, Taylor Schilling and Tom Wilkinson. The film, set in the relatively near future of 2048, is the story of scientific research to save the human race by expanding into space. Normally when you see this theme it involves either finding a Goldilocks planet (and getting there) or going to a distant planet and changing it to meet our physical needs. This film does neither of those things, but rather comes at the problem of adaptability by attempting to change the biological function of the people going to the planet.
The characters in the film are all forced to look at and deal with what physical adaptation means, how that effects many of the aspects of life and how to change their lives here before departing the planet. There are a number of times where one could draw comparisons to somebody like Frankenstein attempting to manipulate the core of what makes us live. There are also a number of questions about what actually makes us human. Do humans have to breath oxygen? Are you still human if you can’t speak? If you can’t see the way others do? If you can’t remember the people you love?
The movie is not action based. The characters are diverse. The special effects and body prosthetics toward the end of the film are very well done. Yes, there are a number of plot holes and unanswered questions when we get to the end of the film. I can’t say that this was one of the best films I’ve seen, but it certainly meets the criteria of giving a lot of things to talk about. If you have access to Netflix, you should be watching The Titan.
This was previously published in Watch The Skies fanzine – October 2020
It’s October and ‘spooky’ season is here. This year is looking like it’s going to play out differently than years past. I suspect there will be a greater number of folks than normal staying in and looking for some entertainment that matches the spirit of the season.
I happily recommend the horror / comedy Vampires vs. the Bronx. This movie is the story of three friends living in a neighborhood that is rapidly changing. They’re faced with routine challenges of daily life combined with the encroachment of a corporation that is trying to buy out all the business and people they know. The heroes are attempting to save the local shop they’ve grown up in from being pushed out. While canvasing for an upcoming party they discover the truth – vampires are behind the big business and need to be stopped!
The story is a fun romp. The villains are clearly the villains, the hero is clearly the hero. The issues kids deal with are part of the story as well. It’s nice to see a horror story that doesn’t immediately discount the use of cell phones and their place in our current society. It is reminiscent of Stranger Things, but on a lighter, shorter story arc. There is danger not just from the vampires, but also from day to day life. If you’ve got a tween or an early teen this is definitely a film that should be checked out for the Halloween season.
A magical door opens. The space on the other side is clearly someplace… else. Could be in a summoning circle, could be in an ancient basement or it could be at the back of an old closet behind the coats. I’m not always a fan of portal fantasy, but they can be very enjoyable.
I saw the movie title “Monster Hunter” pop up the other day and I was interested. I have been a fan of the Monster Hunter International book series by Larry Corriea. There are guns and tough guys (and tough women) that stomp out and blow up the bad guys. They’re a fun romp.
The movie I saw the trailer for was not for that. It’s a video game adaptation. Video game adaptations are usually pretty weak, but they’ve been striving to get better in recent years. The film makers are likely banking on the draw of Mila for this one. She’s in charge of a military unit that gets drawn into a mystery portal and end up going toe to toe with all the video game monsters. I will likely find this one when it comes to some streaming service.
The next one I saw… I know a number of Nick Cage fans, but this movie looks like it’s begging for a mystery science theater type set up. Really. I can’t see how this will be anything other than a Saturday afternoon kung-fu flick. Having said that, on some distant Saturday afternoon I suspect I’ll grab this off some streaming service, grab some popcorn and prepare myself to be stunned…
This last one can only loosely be called a portal fantasy. Crossing over from life to death is certainly going someplace “else” as stated above but is generally not the same as the two movies listed above. It IS a Pixar movie, so I’ll be watching this one when it comes out as well. Definitely worth checking out the new trailer for this one too.
This article was originally published in Watch The Skies fanzine – September 2020
I gave sincere consideration to putting the Netflix movie Project Power in here this month. It seemed like pandering to me. Diversity is extremely important. Representation in science fiction, fantasy and comic book based stories matters. Project Power is a great science fiction action movie – go watch it – but it’s not what I’m going to emphasize today. Today we talk about the Spanish movie Unknown Origins.
Unknown Origins is the story of a detective who must find a serial killer. The serial killer is recreating comic book origin stories as his murder scenes. The detective’s best hope in cracking the case comes from the nerdy comic book loving son of a fellow officer. It’s part buddy cop film and part love letter to comics and cosplay. As the story unfolds we get to dig deeper in to the lives and relationships that drive each of the people involved in this case while trying to solve the mystery.
This movie has a lot of very fun moments in it. I’m not going to give any specific examples as I don’t want to give any of the best lines away – and there are a couple of very good lines in there. It’s not a long movie, clocking in just around an hour and a half, but it packs a lot of stuff into a very short time. The creators have a few bits that land in the area of stereotype, but then they knock the edges off of them and give a few touching moments in the film. It definitely has a viewpoint that could be called ‘defensive’ as far as comics and cosplay goes.
The mystery itself is very, very well written. I thought I had it all figured out and was completely wrong. I had used some of the clues laid out in the movie, but I didn’t pick the right ones. I asked my wife to tell me her theory as soon as she thought she had it figured out. She used a different set of clues that were laid out in the background and came up with an incorrect answer as well. I have seen at least one other review out there that said they’d figured out the mystery right away, essentially as soon as they saw that one character. Perhaps I need to watch more mysteries, but to me it was refreshing to have a mystery that kept us guessing right up to the big reveal.
I recommend watching this movie in the original Spanish with subtitles. I watched the trailer with English dub and it just lost something in the translation. I also recommend hanging around until the very end. There’s a post credits scene, just as there is with any good comic book film!
No, I’m not going to the beach. No, I’m not going to the desert either. I really don’t like that kind of heat and I definitely don’t like that much sand. I’ve been to the desert before. I don’t like it. “It’s a dry heat…” is the common refrain. Yes, so is my oven. I don’t want to climb in there either.
This is about the latest film adaptation of Dune for the big screen.
I know that many folks won’t remember so I’m going to start off with pair of links. Around five years ago I found this film that was all about the version of Dune that never got made. I wrote up a bit about it, but have since reconsidered certain aspects of my stance on that film. It is worth knowing the story of the first attempt to get this movie made because a lot of other films rose from the ashes of that attempt. I posted it here.
Second, I wrote about how loaded 1984 was in terms of movies. I was fourteen that year and it was absolutely the sweet spot for movies for me. There were easily a dozen movies that have had a lasting cultural impact. We’ve got access to a huge number of these films still and a number of the franchises are still going. I wrote it up here, and on that list was a little film called Dune. And they’re making it again.
So, here we are in 2020 (the year of suck) and there’s another version of the movie being made. I get it, Dune is a huge, sweeping story with lots of space (see what I did there, space… ok, I’ll stop) for story telling and interpretation. There is at least one, perhaps two generations of people that have not seen the 1984 adaptation and that’s a lot of money to leave out there. Computer graphics have rocketed forward (… I… I clearly can’t help myself) and give a huge number of options that were certainly not available when the earlier film was made. There are reasons why somebody would want to make another version of Dune.
This relates to another conversation that I’ve had off and on with other fans as well. When you come to something, either film or book, in your life’s journey really matters. I’m not going to attempt to argue for never recreating a film nor will I argue against mining the same thing over again. There are a handful of instances where the version of something I really like is actually a remake of something much older that I didn’t know existed. I don’t like the original as much as the remake version that was the first one I saw, “my” version. It happens.
I wish they’d spend the money on something new. Yes, I know there are all those fans that haven’t seen the old one in a theater. I’m not sure banking on those fans to go to the theater is such safe money these days. It seems like those days of red carpet premieres might be gone for good. Who knows?
I showed the trailer for the new movie to my daughter and one of her friends. I wanted the opinion of young fans. My daughter was aware of the older version (though she told me that she definitely didn’t ‘hang around’ while I was watching it) and her friend had never seen nor heard of the story at all. My wife watched along with us, then I asked for opinions.
“Well, they’ve got money. They’ve got some very famous actors in there.”
“It’s so dark. Why can’t we see any of what’s going on. It needs to be brighter.”
and lastly, from my wife, “I’ll have to see what they do with it. I like the old one, but it wasn’t nearly what the book was. I should pick that one up again and see what in my memory is the book and what has crept in there from the movie”.
I explained to the kids that they’d had money for the old one too. They seemed impressed that that “old guy” from that super old band The Police had been in the movie too. They didn’t really recognize any of the other folks, but they got the idea. Then I ran the video that I’m going to link below. The reactions amounted to, “OK, we see what you’re saying”.
My biggest issue with a remake is just that – it’s going back and using the same recipe. It’s going to have to work extra hard to be fresh and worthy. Things like how horribly dark all the movies are these days (a fad I hope) aren’t substantial changes and are decidedly not good. It’s not just my ‘old eyes’ either. One of the kids asked why she couldn’t see anything on the screen. that kind of dark just doesn’t help the aesthetic at all. It’s a desert planet – the sunlight might make it, I don’t know, super bright? Just a thought.
I was happy to find that somebody had made a video cut using bits of the old movie version and putting them up side by side with the new version. This film person has a host of side by side cuts like that posted to his channel. I think looking at the side by side will show in terms far better than I am able to string together by way of text what bothers me about remakes. Not only have I seen it, but there are in fact parts of the “update” that are not necessarily better. Check it out for yourself and see what I mean:
What do you think? See the new one? Stick with the old one? Watch them both and compare them at length?
10a is in reference to my top ten list of sword and sorcery movies that I posted back in (checks notes… wow, that long ago?) June. I listed sword and sorcery movies that are my favorites. I was, and am, happy with this list.
As things go on the internet, more than one person declared that I was somehow “wrong”. I’m still not sure how I can be wrong about what *my* favorites are, but there you have that. It was also pointed out that a significant number of my choices were from the 80s. By significant they meant 80%. The other two on the list were even older (50s and 60s).
Have there been NO sword and sorcery films since the 80s that are worthy?
It’s a complicated question. Being that the list is MY favorites, uh, no. Simple answer. The simple answer is not always the best answer though. It’s been something that’s rattled around in all that empty space at the back of my noggin since the question was asked. I’ve started to look for, look at, and consider other fantasy movies and have found two others that I rather enjoy. They don’t crack the top ten but I’ve found worthy sword and sorcery is out there.
Prince of Persia: The Sands of Time
Seventh Son (2014) is the story of the seventh son of a seventh son who is recruited in the battle against the queen of all evil witches and her minions. Julianne Moore plays the queen of witches, Mother Malkin. Jeff Bridges plays the professional monster hunter Master Gregory. There are a couple of small plot twists in here that I won’t give away. It’s a challenge to say more about the plot after that… it’s a little thin. It is however filled with shape shifting monsters, sword and staff fights and magical spells. The computer generated effects don’t generally get in the way of the movie. All in all, fun to watch (and up on Netflix at the time of this writing).
Prince of Persia: The Sands of Time (2010) is the story of a rogue boy taken from the streets and brought into the life of a prince by the man who becomes his father (the king). This prince must then unravel the mystery of who is behind the threat to his adopted father’s kingdom and stop the villain before he unwittingly destroys the world. There’s not a ton of magic in this movie, but the magic is central to the plot. Jake Gyllenhall plays the parkour prince really well and having Ben Kingsley as part of the cast is always a giant plus in my book. It is a movie inspired by a video game (and at one time held the world record for most expensive film in that category) but don’t let that be a knock against it. It was a well done movie that is not overwhelmingly stuck in the psuedo-European model of swords and sorcery (and available on Disney+ at the time of this post).
I’m going to continue to hunt for good sword and sorcery films. I do love that genre so. Are there any you think are worthy that I’ve completely neglected?
The longer I go, the more I accept that I enjoy doing many things on my own. I am clearly headed directly to the land of curmudgeon ~ however there can be something said for a shared experience. Having the musical Hamilton released on a streaming service lately brought that into focus for me. During these trying days of “shelter in place” and “social distance” to avoid the plague those shared experiences can be difficult to find. To enable that, some people have turned to technology. What did we do for Hamilton? A Watch Party.
You can’t have your friends over to watch a movie any more. So? Jump on your streaming service of choice and have a watch party… except.
I like the concept of the watch party for certain circumstances. Those circumstances are remarkably similar to when I’d actually like to go and see a movie with somebody… that is to say not very often. A watch party exacerbates the one thing I really hate about watching a movie with others. You’re listening intently in the middle of a deep and moving scene and the person next you says, “Wait. I thought she didn’t like that guy…” or “I think I missed something. What’s he doing that for?”.
Rage.
Just watch the movie. Nobody knows because we haven’t seen it before. Shut up and pay attention. Stop distracting me from my experience. NO, I don’t want to chat about it now, I’ll wait until the end thank you.
Now – If I’ve seen the movie in question before and we’d like to all watch it together to talk about various parts of the film, that’s fine. If it’s a goofy comedy and you’re tipping a couple of adult beverages back on a Saturday night and you want to share that with some friends, excellent plan.
Technology then becomes the barrier.
Are you all on the same streaming service? Are you all in the same region? Yes – services like Netflix change what they have to offer by region. Are you in the same time zone? My daughter is communicating with some students in other countries and they’re off our time by 6 hours. When can we all actually do this? Schedules are still a real thing, even if you can’t go out to do certain activities anymore. Technology is the main barrier here. What platform will you use for watching? Are you all on Discord? Oh, wait, I thought we were doing this through the Chrome app… But what about Facebook? Wait – I run my streaming service through a Roku, how does that work? I don’t want to sit at my computer screen when I have a large TV in a room with a comfy recliner. There are lots of folks out there making this work, but it is very dependent on shared tech and preferred method of consuming media. I suspect this shared preference will not be something that happens to me much as we go forward.
I am not opposed to the concept of the watch party. I don’t suspect I’ll find myself participating in many. I like to view a film and talk about it later, perhaps watching it again for a more nuanced view. Enjoy the entertainment for what it is. Get drawn in by a good story. Go along for the ride… tweet about it when you’re done. Your phone won’t miss you and ‘yousuckland’… I mean twitter, will be there when you’ve got time.
In the end, you could also try reading a good book and joining a group to chat about that. Those don’t seem to have changed as much as the movie going society.
Like so many people I’ve spent a lot of time with YouTube (and many over streaming services) lately. Along the way I bumped into a list video. These videos are not uncommon. Most of the time I can either enjoy or ignore them. One caught my attention – the top ten sword and sorcery movies list.
This particular list made it difficult to tell if they were in a particular order or not. I chose to believe they were in random, jumble order. If they weren’t, it only made the list more challenging for me. I could only agree with a handful of them. As I thought about it I tried to assemble my own list and realized I needed to narrow down what I meant by sword and sorcery and then what my own top ten would be.
Sword and sorcery is a sub-genre of general fantasy films. They are mythic adventures involving a great deal of action and supernatural or magical entities. They can (and often do) involve romance, but it is not always the case. The story could be a world saving adventure but doesn’t have to be. It can just as easily be a single hero’s journey to achieve some goal.
That definition puts epic scale fantasy in a different category. I love the Lord of the Rings series but I would call that epic fantasy rather than sword and sorcery. I think Narnia falls into the epic category as well, though that one is also clearly a portal fantasy. It also eliminates a really wonderful movie – The 13th Warrior (1999) from contention. While it has swords and action it is very short on sorcery. There is the barest hint of prophecy at one point, but it’s really just a great adventure movie set in the time of the Vikings.
In narrowing the field I found it made the choices here much more clear. My list starts at number 10 and works up to my favorite. It’s entirely possible that this list shifts over time. I haven’t seen a lot of great sword and sorcery coming out recently, but there’s always the chance that something new will jump in here too. The list:
#10 The Sword and the Sorcerer (1982) This is a pure nostalgia pick. The story of a mercenary with a triple bladed sword who is recruited to help stop a tyrant and his sorcerer, this was the very first R rated movie I ever went to the theater to see. It’s a bit dark at times, a bit cringy at times, and I don’t think it holds up well, but it makes the list.
#9 Sword of the Valiant (1984) This movie does not get the credit it deserves. Sean Connery, John Rhys-Davies, Ronald Lacey and Peter Cushing are all in this movie. I’m genuinely shocked more people are not on board with it. The story is of Sir Gawain accepting the challenge of the the Green Knight and the journey he takes to meet that challenge. I am actually looking to pick this one up on DVD to add to the collection. It shocked me that I don’t already have it.
#8 The Beastmaster (1982) I went back and rewatched this one recently. The story of a warrior who could communicate with animals – an ability that those in power tried to eliminate from the world. He and his animal companions set out to track down his father’s killer and take revenge. There are a lot of parts that are very cringe worthy given today’s view of things. I still put this one in the top ten.
#7 Willow (1988) This movie is just a lot of fun. It is the heart of what I think a sword and sorcery film can be. A villager who would be a wizard sets off on a quest to return a lost child ends up protecting her from an evil queen. This wizrad is joined by the great warrior Mad Mardigan – a masterful swordsman with a delightful mercenary streak. I really enjoy this one.
#6 Excalibur (1981) A wonderful film version of the Arthurian legend. It’s soooo shiny! The sword work is all over the place and Merlin is just as nutty and dangerous as you would imagine. One of my favorite versions of this tale.
#5 Jason and the Argonauts (1963) My only real inclusion of the Greek mythos in this list. I clearly remember watching this one on Saturday afternoon television as a kid. The story telling is solid and the special effects are from the one and only Ray Harryhausen. Stop motion battles at an amazing level. Harpys, skeletons, a hydra… just fantastic stuff that is still watchable today.
#4 The 7th Voyage of Sinbad (1958) Everything I said for the previous entry applies here as well. The fantasy aspects combined with pirates racing to save a princess from a sorcerer who has holed up on an island filled with monsters. Just as with Jason – still totally watchable all these years later. Harryhausen’s stop motion is magic.
#3 Legend (1985) I love the visuals of this movie. I love the soundtrack(s) from this movie. I love the villain in this movie SO much. Legend is the story of a young man who must stop the Lord of Darkness from destroying the last unicorns and ending daylight forever. It is a legend.
#2 Ladyhawke (1985) Significantly more romance than most of my top picks, this is the story of a thief who is rescued by a warrior after escaping from a dungeon. The thief becomes involved with the warrior and his plan to destroy the bishop in the city the thief just escaped from. IF the bishop can not be faced, the warrior will lose his love forever. Some anachronistic parts, but still great sword and sorcery.
#1 Conan the Barbarian (1982) Conan must take the top spot here. The Arnold Schwarzenegger portrayal of Robert E. Howard’s iconic hero is hands down my favorite. It has everything. War, cultists, magic, partying, stealing and vengeance. It is violent and grim. It had one of the first villains that gave me something to measure other villains against. When James Earl Jones plays the cult leader Thulsa Doom and says, “now they will know why they fear the night…” it gives you shivers.
That’s the list. My top ten. Do you agree? Is the order all wrong? Are there any that are missing?
I have been meaning to post about this for a couple of weeks now and somehow I’ve only just managed to get here. Things are changing in the world. I’m starting to wonder how permanent some of these changes are going to become. In the past, if I told you a movie was going directly to video release, your thought would be, “wow – how bad is it?” or something similar. Well, Disney is taking one of their big summer blockbuster movies directly to a streaming release in June… and it looks like it’s going to be pretty good. We might be seeing the future playing out right now ~ but that’s a different topic.
The movie in question is Artemis Fowl, based on the book by Eoin Colfer. I’d recommend going and checking out the trailer here.
I haven’t read Artemis Fowl since Watch The Skies read it in 2003. I do remember the meeting when we talked about it. At the time there was a member of the group (short lived membership) that complained bitterly about reading something so specifically aimed at a younger readership. He didn’t see the sense in looking at a book like that along with a couple of other complaints about the actual story content. At the time I argued that it was important for a group like ours to look at what future book club members are reading as they’re “coming up”. I still firmly believe this – and now, 17 years later that book he wasn’t interested in is a big, upcoming movie release with a huge fan base. Love it, hate it or live in ambivalence this book has made an impact.
IF you’ve got younger fans that haven’t read it yet, I’d recommend it. I particularly recommend it right now for an extra factor – it can consume MORE than just the time to read the book. One bit of the book that I enjoyed was that it takes a basic level look at secret codes… and BIG HINT – there’s a secret code in the book! Get your young fan / code breaker working on it as a great way to lead into all sorts of interesting brain food (history, math, puzzles – there’s so many topics!). Seriously – just check out the bottom of the very first page:
Break the code!
I remember this book as a lot of fun. For the older folks setting their kids up for this, it’s not like the disappointment of Ralphie in A Christmas Story either. I’d suggest getting to this before the movie comes out, just in case they spoil something!
I’m not good at it. Listening is not
easy. Genuinely hearing what other people are saying is active – a
verb. You are doing something, not just passively sitting and waiting
for your turn to speak. Most people don’t listen with the intent of
understanding, most people listen with the intent of responding.
I’m going to frame this conversation in
terms of entertainment, both written and other media, but it is
something that should be applied to any other communication.
The movies have always been for me. The
massive, record breaking, blockbuster films for the vast majority of
my life have been super white. The awards given out have been all
white. The works they were based on were overwhelmingly white. It’s
been a white, white, white world.
February is black history month. The Academy of Motion pictures is holding it’s annual awards this first weekend of February. Will diversity show up? I have my doubts. Check out this video to hear what prompted my thought process.
When the comic book adaptation film
Black Panther came out I was very excited to see another part
of the Marvel cinematic universe come to life on the screen. BP
crushed at the box office and had amazing staying power in the
theaters. It got extremely positive reviews. When I reviewed the
movie the take away for me was “this movie was not aimed at me”.
It was a black superhero telling a story that showed that white
wasn’t the only way. It was aimed at NOT white kids to say, “look,
this is for you too”. I thought that was one of the best parts of
the movie. I have no idea the “realness” of the backgrounds of
characters, the authenticity of the costume inspirations – non of
that is history I know. It was wonderful, but in the end it didn’t
have the same impact it would if I were part of a community that grew
up with, knew or understood those things. I appreciate what it is and
what it did, but it was not going to be inspirational to me or have
the kind of impact it will with people not from my background.
I attempted to explain what I meant to
another white person. This white person said something to the effect
of, “What? You don’t like it? How can you not like it? Look what
Marvel is doing! All those costumes and colors…”
This
person wasn’t listening. To them the film was just another part of a
bigger whole without the context of inclusion. To be fair – I don’t
know if it was a matter of accepting this diversity without question
or completely missing the point. The feeling I got during the
conversation was that they were completely missing the point. It’s
not easy to listen without putting forward your own view and making
things fit into the framework you’re comfortable with. Saying that it
wasn’t for me was not a condemnation of the film, it was an attempt
to understand that an expanded and multi-faceted creation had more to
offer than the same old reworked all white framework that I have
known my entire life.
Sometimes when listening becomes action
it means accepting a different role. Really listening means you’re
open to changing your views. Sometimes the different role is not the
“in charge” role. Not making decisions or leading. If you’ve
always been in the lead it is not easy to relinquish that to anybody
else, let alone someone that doesn’t mesh with the homogenized system
you’ve become comfortable with.
This is also not an easy conversation to have. Being the middle aged white guy makes putting forward any thoughts on diversity of any kind dangerous. It’s easy to go wrong due to lack of understanding and a lack of willingness to listen. There’s a quote I heard in the past about media that essentially said if you let somebody talk long enough you will be able to take six lines out of context and use that against them – even if that was never what they meant. Sometimes you don’t know or can’t know the right context for asking questions. It can be challenging to put forward that you don’t know something. It will make you vulnerable and people don’t generally like that. The landscape of social media makes it easy to hide behind anonymity and scream out about the faults of others. Nobody wants to be vulnerable. Vulnerability scares people.
Great quote from a great movie, “I have the right to see fine in any color…”
I am trying to listen. I am hoping to be part of a meaningful change. It won’t be easy. It’s something I’m working on. I think I’m getting better, but that’s not really for me to judge. Diversity matters. It matters an awful lot more than we understand. Listen ~ and be part of the change.
